She has high hopes that her daughter will be a great success as a prodigy. She's not precisely sure where her daughter's talents lie, but she is sure that her daughter possesses great ability — it is simply a matter of finding the right avenue for Jing-mei's talents. Woo tries to mold her daughter into a child actress, but that doesn't work.
And if I die, what will you remember? How much of the story is real? Further, Tan has said that the members of the club represent "different aspects of my mother.
Suyuan innovated this particular version of the club long ago — inthe year she arrived in San Francisco from China. Clairs, and soon she enticed the wives to join with her and form a Joy Luck Club. In a flashback, we hear Suyuan telling her daughter about the origins of the very first Joy Luck Club, as well as stories from her past.
Her first husband, an officer with the Kuomintang, feared an imminent Japanese invasion, so he took her and their two small babies to Kweilin. There, Suyuan created the Joy Luck Club in order to cope with the horrors of war. Each week, four young women met to play mah jong, share a few meager luxuries, and talk about happier times.
Because Suyuan's stories about that first Joy Luck Club — especially the Jing mei character analysis — change each time she tells them, June discounts them as little more than embroidered, restyled, improvised memories. One day, however, Suyuan tells her daughter an entirely new story: An army officer arrived at their house in Kweilin and urged Suyuan to escape to Chungking as quickly as possible.
The exodus was so effected suddenly and was so grueling that, along the way, she was forced to abandon all her possessions, one by one.
Finally, she had to abandon her most precious possessions of all: She has two sisters, about whom she knew nothing — until now. This central episode in this section of the novel is based on truth. On the eve of their departure, Daisy revealed that somewhere in China, she had three daughters from an earlier marriage — daughters lost to her when political ties were severed between the U.
In the novel, Suyuan loses two daughters and does not live long enough to be reunited with them. In real life, however, Tan's mother, Daisy, was reunited with two of her daughters in Thus, Tan interweaves fact and fiction in the novel, taking truth from her mother's stories while creating a larger canvas for her novel, focusing on two cultures and two generations and the chasm between them.
The transformation of truth into dramatic fiction parallels the transformation within each of the four mothers — from being young girls to being old women. The novel also focuses on the transformation of the Chinese daughters into full-fledged Americans.
And, of course, Tan's emphasis on communication — and particularly the lack of communication — between the two generations is always present. The novel, in fact, opens with the concept of communication: Woo, June's father, believes that his wife died because she could not express herself.
Unvoiced ideas, he says, can literally cause death. A few paragraphs farther on, June alludes to the problems that she and her mother had communicating: While my English skills were never judged as poor, compared to math, English could not be my strong suit.
Her novel is rich — especially in figurative language, words and phrases that convey ideas beyond their literal meaning.Jing-mei (June) Woo.
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Jing-mei is strong willed (she got it from her mama) but a lot of that strength of will manifests in the least helpful way possible: Jing-mei undercuts her own successes in life just to show everyone she can. Get an answer for 'In Tan's "Two Kinds," identify specific character traits of Jing- Mei.' and find homework help for other Two Kinds questions at eNotes.
Character Analysis - Jing Mei in Two Kinds. 4 Pages Words March Saved essays Save your essays here so you can locate them quickly! Jing-mei (June) Woo - Jing-mei Woo is the newest member of the Joy Luck Club, having taken her mother Suyuan’s place after her death.
The other members of the Joy Luck Club give her money to travel to China so that she can find her mother’s long-lost twin daughters, Chwun Yu and Chwun Hwa, and tell them Suyuan’s story, but Jing-mei fears.
Jing-Mei’s dominant characteristic is to make her own way as an independent person despite her origins as a Chinese-American. This leads her to the stubbornness, hardness, and even cruelty that she evidences in the story/5(25).
Jing-mei (June) Woo. In a way, Jing-mei Woo is the main character of The Joy Luck Club. Structurally, her narratives serve as bridges between the two generations of storytellers, as Jing-mei speaks both for herself and for her recently deceased mother, Suyuan.